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The most important skill: Movement
September 5, 2010
5:19 pm
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Matthew Seeley
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I have been on these forums for a while now and I notice nobody has talked about movement. I know I await with eager anticipation for Pauls video on movement (i dont know when that one comes) but I thought it would be nice to hear what people have to say regarding their movement around the court! Any contributions/ stories are welcome.

 

In particular, I am interested to know which corner you find most difficult to get to, and any recommendations of ways in which you have improved your footwork recently! Also I would be interested in reading what footwork “patterns” you use to which corners and why! When you practice footwork, what drills do you do? What are the most important things?

 

There are, in my opinion, so many important aspects of moving, lets start uncovering some of them!

 

Note; i am right handed, and a “split” is also known as a split step or split drop, and is a very small “jump” in which the feet become slightly wider apart, and the leg muscles are loaded ready to move in any direction (split drop because: split – feet widen, drop – legs are loaded). When I split, I ALWAYS split the same way, with my racket foot slightly forwards, and I do not adjust the angle of my feet to “help” lead me in my intended direction. My feeling is that when practising, you should practice from a completely neutral position pretending you have no idea where you will have to move, and are “ready” for everything.

Note: My “steps” are Left and Right running steps, I don't practice using Chasses, as they are (in my opinion) running steps that didn't go so far.

 

My footwork patterns:

 

Fore Court: Split, Left, Right (lunge)

Recover: Right, Left ( then Split )

Mid Court: Split, Left, Right (lunge)

Recovery: Right, Left ( then Split )

Rear Court:

Forehand side: Split, Left-Right (kind of a pivot step positioning my body in the direction i want to go), Left,

Right then into a Scissor Kick.

Recovery: Left, Right ( then Split )

Backhand side:

Backhand: Right, Left, Right (Lunge)

Recovery: Right, Left ( then Split )

Round the Head Forehand:

With plenty of time: Left-Left (a pivot step), Right then into a Scissor Kick

With limited time: Left, Right (still facing the net) Hit Shuttle (and land on left foot) – could be considered

a “china jump” (this footwork is USED ALOT by Lin Dan)

Recovery: Left, Right ( then Split )

 

My toughest corner to get to is my forehand rear court corner, as this requires a more tricky initial turn to face the corner.

 

When I practice footwork, I like to do it for a long period of time very slowly, working on an explosive first step, full recovery, and really trying to develop a rhythm, so you can almost “hear” which corner I have been to (although the front and mid court areas use the same footwork).

 

Does anyone have any comments on what I have said? does anyone else want to share their way of moving?

 

Final question? Who has the best movement in badminton? And who is quickest? Not necessarily the same player 😛

September 5, 2010
9:30 pm
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Paul Stewart
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Matthew

Footwork is covered on videos 5 & 6 and this is only the beginning!

Once I have finished my Residential Coaching Weekend, I will taking some time off to study some of the great movers and break down their patterns via painstakingly watching slow motion video – frame by frame.

The aim of doing this is to break down their specific patterns, re-create them on court and demonstrate how they are done. I'm not sure where these will feature on my Online Coaching Program yet, but once I have enough material I will put together another couple of videos – one for singles and another to discuss doubles movement which can be very different in view of the difference in court coverage.

It's very hard to discuss footwork without watching – and that's why I have written so little on the subject so far. However, I'm not sure whether readers of this forum would like me to spend more time on this subject and in particular how to train to improve your footwork – over to you, reader and let me know.

Split step is a topic rarely discussed and I don't know why. I don't see many players using it and then they wonder why they're so slow off the mark.

One of the great singles tactics is to focus an attack on your opponent's forehand corner because players in general spend so little time learning how to move and hit consistently well from the rear forehand corner. It seems we've all been taught to run around the backhand to cover it, but rarely has anyone been shown how to move and hit from deep forehand positions.

One thing I've found to be true is that many players haven't a clue how to recover from deep forehand positions and how much the hips play a part in recovery. In fact, very few players and coaches seem to consider the importance of the hips in movement and how they can improve or restrict movement.

Matthew, this is a massive subject and I'm so pleased you've brought it up. I hope others will provide more input into this topic and then perhaps it may be worth looking at taking this a little further in terms of the more technical aspects of movement.

Paul

September 5, 2010
11:42 pm
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Matthew Seeley
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Paul, that sounds wonderful! I look forwards to seeing what you have to say on your videos 🙂

 

As a player (and a coach), the split step is something I am very “big” on. I get annoyed when players work on their footwork, but make it “easy” by using their split step to “help” them reach a corner, in particular players practice moving to their forehand rear corner with their feet starting angled towards that corner! How useless is that practice? Surely most players wait with their right foot forwards? But they practice from a position they won't use.

 

The other movement issue i am “big” on, is, as you say, recovery. You highlighted recently the importance of recovery and how lin dan is the best exponent of this. I agree completely. Too many players take so many steps getting back to base, they are often caught out in the wrong place. I recently wrote to you regarding using a scissor kick from the back forehand corner, and how practising without it makes me lazy: This is because i tend not to rotate my shoulders (hence my hips!!!) into the shot and THUS I don't recover properly. For this reason, I will ALWAYS turn my shoulders (as a result of hips!) before every shot. I agree with you completely regarding the hips 🙂

 

What interests me is the differences between the four players Lin Dan, Lee Chong Wei, Taufik, and Peter Gade. For example, when Taufik goes to the net, he sometimes uses bad technique and doesn't lunge with his foot in alignment (see the 2010 All england QF with gade, first game). Lee Chong Wei tends to take one HUGE lunge when going forwards. Gade tends to “hang” in the air for a long time in the rearcourt, where lee chong wei and lin dan have excellent recovery from the rearcourt, and Taufik hits most of his smashes whilst falling backwards (but he didn't when he was younger).

One thing I have noticed regarding Lin Dan, is that because of the difficulty of recovering from the deep forehand corner, he rarely attacks from this side except off a short lift (and a jump smash!). However Lin Dan is extremely aggressive from round the head, and his One left step and then hit attack wins MOST of his points or creates the opportunity to win the point (the one i roughly described for when I dont have much time).

Obviously I have only touched on a few key points i find interesting, but they are all quite interesting to note.

 

I can't wait to hear what other people have to say 🙂

September 6, 2010
12:55 am
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Marc
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Matthew,

First off, I find you very thorough about your

thinking and the accompanied practice you do. You sound like a dangerous

opponent! Wink

I

honestly don't remember which corner I have the most trouble reaching

from a fully centered base. I'll have a better idea on Wednesday when I

play, but I can tell you from shadowing a bit that the transition from

recovering to my backhand corner to moving to my forehand one feels

completely unnatural.

The way I get to each corner depends on the

trajectory of the shuttle and the pace I want to play at that moment. I

tend to use chasses a lot, though. They're great for moving short

distances quickly and staying balanced. When I lunge to the net, if I'm

not that close to begin with, I tend to follow my initial quick step

with a chasse before lunging. When the transition is fluid, it helps

tremendously.

When I have extra time to get into position, I'll add a little 'hitch' moving mostly with the ankles and toes to get in a slightly better position towards the shuttle.

Split steps are the second thing I tell people to do

when they need some help. The first is to recover so you can 'flow'

into your game. Then the split step becomes a natural addition, the

cherry on the first.

Your description of how you practice your

footwork sounds a lot like an instructional video Peter Rasmussen did.

If you're doing it like a champion, then results soon follow!

Who's

got the best footwork? I thought it was Gade for a long time, until I

really started to look at Taufik. I want his fluidity and his backhand

skills. The man walks on a cloud, light as a feather. If you stare at

his feet, you end up zoning out completely!

As to who's the

quickest, I'd have to say Lee Chong Wei. I can't believe how quick the

man is, especially now that he's started using his explosive

capabilities to attack more. Though as honorable mention, I do think

that Lin Dan is extremely quick in attacking short lifts to his backhand

corner and no one can consistently throw himself left and right to save

rallies like he does.

As a final thought, one thing that's helped

me tremendously is to be very mindful of how high off the ground my

feet are at any given time. The closer they are to it, the less of an

arc you make, the more energy you conserve and the faster you go. With

only a little practice I can tell the difference.

Edit: I didn't read your second post before posting this one. Funny how we pegged the same four players, even though they're at the forefront.

September 6, 2010
11:27 pm
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Matthew Seeley
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Its interesting how everyone is different in their approach 🙂

 

The most interesting difference between us Marc, is that I tend to use a Hitch at the start of a movement, whereas you describe using it at the end. However, we both use it for the same reason: to better adjust ourselves towards the shot. Typically I will use hitches when I need to quickly adjust my line of travel, allowing me to move quickly but get the direction/timing right.

 

You are correct in likening how I practice to that instructional series by Rasmussen, because that is where I learned the drill! I imagine you have read the Badminton Bible site? You are the only person to describe a “hitch” to me, other than that website!

 

I love the fact you picked out the distance your foot is from the ground as an important point, because it IS so very important 🙂 I feel in particular a pro's use of “hitches” makes them look like they are gliding, and thats how good movement feels.

 

I also find it interesting that you move at different speeds and in different ways depending on the current desired pace, and shuttle trajectory. I have been very strict with myself, moving as if I have virtually no time to do so, even if I intend to play at a slow pace. I enjoy getting there early and having a “look around”, and it keeps me practised for playing against those fast opponents who play at a fast pace. Sometimes i DO get lazy, but this is just me being naughty and normally results from a bad warm up – see Pauls latest article 🙂 a little bit of visualisation normally gets me back up to speed (imagining the look and feel of my normal fast footwork)

 

I recently got the opportunity to play singles against Peter Knowles. Any English player should recognise him as a commonwealth gold medalist, former english no.1 and world top 10. Very enjoyable experience, losing 21-16 (he was going easy on me as he had a slight injury – good fun though). His footwork does not look fast, but thats why it IS fast, and when you get in the perfect position every time, the good shots start to flow. Thats my goal this season, to constantly get into the right position – resisting laziness!

 

I like your nominations for fastest player and best movers 🙂 i look forward to hearing everyones thoughts on this issue.

 

Thanks for your post marc 🙂

September 7, 2010
6:55 pm
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Lukas
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Hi,

 

Nice post! I think I will use your footwork drill Matthew.

September 7, 2010
8:27 pm
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Paul Stewart
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Interesting stuff yet again.

The reason you don't see many coaches talk about the hitch, is that it's not quite a technical term. The dictionary describes a hitch as a “move into a different position with a jerk.” I had to smile at this being more of a doubles player these days.

I wouldn't describe the movement you're discussing as a jerky movement. It's a controlled adjusting movement that can assist in building momentum before breaking into a movement pattern of your choice.

I have seen the write up on hitch movement in Badminton Bible – a website I think is extremely well written. Not sure I will use this term but hey, what's more important is that the technique works.

Marc and Matthew have both chosen 4 of the best movers in the current game. However, I grew up watching Yang Yang, Zhao, Morten Frost and Poul Eric Hoyer Larsen. All of these great players were superb movers, as were Liem Swie King, Icuk Sugiartu, Heryanto Arbi. Let's not forget some of the great doubles players like Park Joo Bong, Kim Moon Soo, Thomas Lund, Martin Dew, Li Yongbo, Tian Bingyi, too.

There are lessons to be learned from all of these great players. Just because theirs was a different era doesn't mean that they wouldn't have been successful today.

What's important is that your movement, whichever style you prefer, continues to help you develop as a player and win more games.

I do think that we need to study the good players more and learn how to move as efficiently, effectively and consistently as they do. In todays game we almost need the grace of a ballet dancer combined with the athleticism and power of a world class sprinter and the srping of a high jumper. Bit of a tall order when you think about it, but this can all be trained over time. The question is, which do you train first?

Paul

September 8, 2010
12:19 am
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Marc
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Ah, the good old days…

If I had to peg slightly older players
(not quite Li Yongbo old), I was blown away by Peter Rasmussen's
footwork. It's the perfect coupling of bare-basics efficiency and
tremendous leg power. And what endurance! I remember seeing him in the
1997 World Championship final against Sun Jun.  Even Sun's level of
fitness was no match for that much pace and precision. Rasmussen was
fantastic in that match.

It's difficult to compare old and current
pros, since everything's changed now. The scoring system is different,
the technology is different, so's the training methods, and the general
way the game is played. It's almost impossible to compare a game from
the 80's to one in the 2000's. The attacks are different, the tactics
are different, even certain footwork patterns have changed.

To
clalrify, I refer to what I start my footwork with as a “quick step”,
for lack of a better term. It is, after all, the first step that's the
most important for the direction and speed of your steps. It's a
low-plane, short, quick step that gets my body going in the right
direction and lets me flow into my next step. So it goes [split jump
–> quick step –> etc].

What I understood to be a 'hitch'
is either a short step of a very small hop executed mostly with your
ankles to get you in just the right position right before the shot,
after the main sequence to get you to your corner. It's hard to explain,
but say you have a lot of time for a smash due to a high lift from your
opponent. You turn away from the net, step, chasse and cross over to
your rear corner. Then if you see that your alignment isn't perfect
towards the shuttle, you use a 'hitch'. Then you jump and smash.

As
to what I choose to train, honestly I need some basic strenght first.
I've never really been in a good shape to play the sport, so I need
strenght to flow into endurance training so I can keep playing at a good
level longer. Finally explosive training comes in, and then
change-of-pace training. That's then the winners will start raining from
my side of the court.  Wink

As
for grace, it's about practicing footwork patterns and being mindful of
your movements. It's also about doing it over, and over, and over
and…

September 8, 2010
12:30 am
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Matthew Seeley
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To paul:

 

which to train indeed. I found the most important thing to develop was balance during my split step. When i was truly balanced, everything started to work nicely thereafter, be it explosive power, grace, jumpiness. I think I order my preferences as balance/grace/posture first – this i feel gives the most “efficient movement”, and then explosive power, and then the crazy jumps 🙂

 

I love watching some of the videos on youtube of morten frost and zhao junhua. Zhao is probably the playing style I wish I could copy most. When i watch the older videos, i can't help but feel those players “flowed” more than current players, as players nowadays want to rush back, stop, jump forwards (as they smash) and then carry on, but with fewer jump smashes, everything just looks so effortless!

 

And Marc:

I believe that match you are talking about with Peter Rasmussen and Sun Jun, lasted for about 2 and half hours. I THINK it is the longest match ever played, and the videos on youtube only show the final hour or so, being played at that tremendous quality. But they had already been going at it for at least an hour before!

September 13, 2010
10:12 am
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Paul Stewart
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One of the key things about movement is being light on your feet. So the sound of your feet can say a lot about the tension you're loading/carrying which is an important point to think about.

When you're tense, your movement can be heavier and less efficient. Training to beat a shuttle or the clock is a great way of moving fast, efficiently and with less tension, which is the ideal for match situations.

Once you master the skill of movement in terms of technique and efficiency then you need to overlaod in order to re-introduce the point where tension is creeping in. This is the speed you then need to train at and improve on, which will lead to reduction in tension over time.

Paul

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