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3:56 pm
February 15, 2011
I'm playing with some guys and help out with any shots they want to improve.
They know I'm not a qualified coach (and I don't charge anything) but they have said they prefer my way of showing stuff compared to the coach they usually go to.
Their coach is reluctant to work on their backhands just yet but they have noticably weak preperation/footwork/technique and this could be a problem as I'm getting them some matches with the team I play for.
To get to the point, rather than just feed them shots and point out what they should be doing, does anyone know of any effective drills I can show them ?
Ideally, I'd like to give them something they can do whether I'm there or not.
Also, is there any sort of order I should work on ?
High clears, low clears, drives, blocks, drops and net shots are all pretty weak but they pick up everything quickly and their eagerness to improve is borderline compulsive.
Any tips would be greatly appreciated as always.
2:07 pm
February 15, 2011
Simon
From what you're saying about these players, you really need to keep exercises simple. One step hitting is good because it focusses on the preparation of the shot prior to the hit, then the hit, then recovery.
At Lilleshall in September my session for the advanced players was purely preparation in hitting. I hadn't taught this at Lilleshall before and I'll warrant if I'd told the players what they were about to do they would have thought I'd joined the wrong group. However, to a player, including those who had been before, they all said it was the best session of the weekend.
When teaching backhand I begin with backhand skills at the net. After all, if a player cannot control their racket at the net, then turning their back towards the net to hit a backhand clear isn't going to work. So I develop hand skills first and then slowly move them backwards before asking them to turn and hit the shot. It's hard to explain but easily understood when you see it.
As you know the stroke cycle cery well Simon I would remove the most difficult element which is generally movement in favour of perfecting the hitting technique. When that is pretty good, I would then change focus to movement to and from the shuttle to round off the stroke cycle.
Sorry I'm not being specific but I'd be writing volumes if I got started.
Paul
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